Critical Essay
The beautiful burden
On art's necessary cathedrals.
The 60th Venice Biennale closed its doors in November 2024, having welcomed over 700,000 visitors. Meanwhile, cities from Riga to Rabat are planning their own editions. The global biennale circuit now includes over 300 recurring exhibitions. The question presents itself with increasing urgency: what purpose do these sprawling art festivals serve, and who exactly are they serving?
The machinery is staggering. Venice alone employs over 1,500 people during its seven-month run, with a budget exceeding €65 million. These are not minor cultural events but major civic investments. For all their contradictions, biennales keep alive the possibility that art might still matter in ways that exceed commerce.
Biennales are like democracy — the worst form of exhibition except for all the others. — Jerry Saltz